Thursday, April 25, 2013

butterdie.

i held the tip of my finger out, and it stepped onto my skin like it was touching the edge of the world. the butterfly's wings were shiny and new, completely untested, fresh off the assembly line. as i walked with it towards the yard, it held with it all the promise of new life, new hope, new flight.

the kids all gathered around me; soccer ball dropped, crayons down, shovels in the sandbox. they cheered and crowded and jockeyed for a better position, even though i held the butterfly aloft and they could all see anyway. their dreams were pinned on that butterfly. that butterfly meant they had succeeded, grown something, watched as nature began a live part of their classroom.

alive. you see?

so there we were, waiting for the butterfly to get brave, and suddenly, there she went---

"goodbye, goodbye, good luck, goodbye, butter--!!"

out of the corner of my eye, i see a flash of black, and in that second, i think, "that's the black phoebe. we just identified that bird yesterday, and found its nest under the eaves today. that's the black--"

oh shit.

the bird knocks into the butterfly, one hit, and the butterfly shakes around for a half a second, and then the entire class, all those little hearts and eyes and souls watch as that bird eats the butterfly in one gulp.

i folded over in laughter, my hands over my face, and listened the the reactions of the kids around me. the twins started wailing, then another joined in, then another. a few seconds later we have seven children in sobbing positions, while three other shouted their bravado, "good! i didn't like butterflies anyway!!"--thereby causing more cries of dismay and despair.

my colleagues later told me they heard the cries from the other side of the school. a couple was touring and walked through the yard just as this was happening, and i had to reassure them that it wasn't everyday that the entire kindergarten class broke out in hysterics.

am i describing this accurately enough? can you see the dramatic arc of the experience? can you feel the ecstasy and agony? in seven swift seconds these children were slapped on the side of the head with the glorious violence of nature.

i loved it.

it was hilarious.

but it also made me think a bit. the girls in the class called for the destruction of the black phoebe and all it's kin, a boy wished for the extinction of the entire bird population. there were calls for justice in the name of all butterflies. you get the picture.

in light of my recent craving to change myself again, to make myself over; to cut my fucking hair off, i realized that there is some kind of connection here.

go with me for a minute.

there is a kind of glamour to butterflies, those little darlings. they start one way and end another. they have color and beauty. they have flash-in-the-pan lives. and we are told to adore them. more specifically, the little girls in my class are taught to love, love, love them: they wear them in sparkly designs on their shirts, they show up with b-fly tattoos. they draw pictures of them for each other. butterflies are easy, glossy, and require little thought. they are the people magazine of the nature world.

these black phoebes, however, ain't got nothin' on the delicate ones. they are black and white; sure, they've got a little crest on their head and their tail bobs in a really funky way, but other than that (and the fact that they make their nests out of mud and attach them to walls), they're just birds. plain old birds. to the point: one plain old bird that ate a pretty little butterfly.

i'm still feeling out this connective tissue here, so forgive me for rambling. the thing is, i am that black phoebe, and i am that butterfly, too. most of my life i've leaned one way or another: sometimes requiring the pretty, sometimes pushing myself away from that nest, but always, always, there is the understanding in my heart that my appearance means something.

that the way i look determines the way i am loved.

and so this longing to do away with my hair, to cut it short again, to feel the wind on my neck and stretch out my bones to the sun--this is what it feels like to be that butterfly on my palm, and also what it feels like to be that bird swooping in with all the power in its body. there is a clash of ideals, a splattering of remains, another illusion shattered.

it ain't pretty. but its the way it is. nature in real time.

sometimes, there is nothing more beautiful than the truth.





(disclaimer: i know a famous lepidopterist and she is a kick-ass scientist and i have the utmost respect for her work. and for butterflies. just to be clear.)




Monday, April 22, 2013

becomebersome.

the woman i've become tends to use recipes as suggestions rather than rules.  i always add more lemon and garlic.  i never shy away from including chocolate chips, and i taste-test everything over and over again, so my germs are all over the food that i serve to you.

also, there is always cat hair.

the woman i've become sees the boy they've arrested and thinks about her own son, and a life lost, as well as the damage done and the hurt he has caused.  i can't help but mourn for all of us.  i can't help but feel sorry for what went wrong.  i can't feel vengeance.

the woman i've become contemplates cutting her own hair in a last-ditch attempt to finally look like audrey tautou in "amelie" but also has the sense to wait out that feeling a bit more.  i've also become a woman who constantly questions my hair choices, and remembers fondly to the months of buzz cut me, the one who didn't care at all.

still doesn't mean i won't cut it all off, though; i can't give into the fear and self-loathing that accompanies a short haircut anymore.  i refute all of that bullshit.

the woman i've become manages to find fulfillment, longing, desire and pride, all in one little pop song.

the woman i've become is painfully aware of what her life would be like without her friends.  i have no words to accurately describe the fear of losing them, nor the good and light they bring to me.

the woman i've become creates secret handshakes with her children.

the woman i've become is more and less patient all the time.

the woman i've become seems to gravitate towards posts that look like lists; probably because they seem less intensive than digging in deep to a story.

you might not recognize the woman i've become; then again, you may have seen glimpses of me all along.

Thursday, April 18, 2013

please.

"please don't hit your dog."

this i said to the man on the sidewalk in front of my house, swatting his tiny dog for running over and greeting mine.

"what did you say?"

"please don't hit your dog."

"why don't you mind your own business!"

me inside, reliving the moment, stomach clenched, tears rolling down, thinking, "please don't hit your dog, please don't bomb my town, please don't hate so much, please, please, please, good people of earth."

release, breathe, plead, pray. tears that cleanse, stain my face, remind me.

please, please, please.

Sunday, April 14, 2013

how? or in other words, love.

i am in awe of all of you.

you, people, humans. all of you. i just don't know how you do it. how you manage it all. how you can speak happiness and contentment and grace, projecting it all out there, into the universe and the water and the air and beyond. you all amaze me.

how can you be apart from the one you love, so far away from you, and still manage your life and your kids and your heart so fully, ably, astoundingly so?

how can you wake up in the morning with him gone forever?

how can you be grateful, always? how can you have that feeling inside of you consistently?
seriously, how can you? can you teach me?

how can the wisdom of your words effortlessly piss me off so much that i judge myself, when in actuality all you are talking about is love?

how can you be so wonderful still, years after i last spent time with you? how has the magic stayed with you so deeply and darkly ingrained under your skin?

how can you work so fucking hard, be so good at your job, be the most brilliant woman i've ever known, and be brave enough to change your address to another continent? be brave enough to find love that pulls you over there?

how can you be strong enough to ignore the madness that is this new way of talking to each other?

how can you be my brother and not know anything about me?

how can your cat have the smushiest, lushest cat face i've ever seen?

how can you know how much it hurts to see you sad?

how can i articulate anything anymore?

how can there live such unaccountable beauty in the faces of your daughters? how can a photograph translate that so much of that beauty is revealed because of how they walk in this world?

how can this be anything but judgment?

how can i think that this life is anything but a plentitude of booty, in all its shapes and forms?

how can i get the courage to just write the goddamn kids' book that i want to write? and how can i stop telling myself that everyone has a goddamn kids' book that they want to write, so that means i shouldn't even try?

how can i make a headboard for my bed out of reclaimed materials?

how can i live with less?

how can my daughter find new ways to explore every single day? how can i steal this from her?

how can i express how grateful i am to all of you, for reminding me of all of this?

if nothing else, if nothing else, if nothing else, we all have each other.

Thursday, April 11, 2013

random, multiple thoughts that may or may not matter in the grand scheme of things.

i bruise easily, inside and out.

every time i get dirt under my fingernails, i think of my great-grandmother, and how she scraped her nails on a bar of ivory soap before she dug around in her garden.

this morning i dreamed i threw up an enormous black ball of gunk. goodbye, issues.

bugs love me. and i love bugs. i've rescued countless cockroaches around my neighborhood, and i'm not ashamed to say that.

i don't seem to be able to cry that much anymore. are the meds that powerful, i wonder?

every time i listen to a podcast of someone i admire, i always question my own choices, and wonder what i could've done with my life to be more like her. or him.

i adore my friends. they are my family.

i love my family, but they aren't so much my friends.

watching my children grow up is a blessed relief. i'm glad they can almost take care of themselves. almost. if only they would stop demanding that i get them a glass of water.

my work is my house of worship.

i am not my mother. but i love to drink out of large mason jars, just like her.

while picking a live louse out of one of my student's hair today, i . . . well, . . . i should just leave it at that.

Wednesday, April 10, 2013

digging through.

tonight i helped my friend amber start to pack up for her move, and while we were going through her books she found this photograph:

it is of her, holding her goddaughter without a name, sitting on our old porch with alex about six hours after the aforementioned kid was born. i am not in the picture. i don't know where i was--maybe watching the original "batman" movie with three and a half year old milo for the twenty-seventh time.

wherever i was, i was glowing. it was a good day. it was good, hard work, and it was a really, really good day.

and there has never been a more beautiful baby girl, matched only by the loveliness of her godmother.



Tuesday, April 9, 2013

dream deniro, duh.

i'm just curious if i could post for seven days straight. would that make me feel fulfilled? would i consider myself a writer again? or will my inevitable angst over the content of said posts deflate the entire purpose of the assignment?

nevertheless, here i go.

this morning i had a wretchedly horrible and funny dream. my family and i were driving to robert deniro's house, where i was to be interviewed by a woman about my writing. i was excited. the long driveway was bordered by lots of farm animals, including baby pigs, who i couldn't wait to cuddle.

as the driveway ended it came upon an enormous house that overlooked the ocean. we walked out to the back and saw robert and his wife, and there were various kids there, at which point my children disappeared in the dream.

robert put his hand on my shoulder and told me that they had a wonderful recommendation from jacqueline onassis about me. i was pleased to hear it.

then the woman who was to interview me came to find me. she was blond. that's all i remember. she began, "can you tell me how your writing relates to life in 15th century japan?"

i paused, and said, "i'm sorry, i don't know how to answer that."

she then said, "how would you describe the anomalies in your writing in the context of the 20th century british economic state?"

i paused, blushed, and said, painfully, "i really don't know what to say."

she asked me one other question, and when i failed to answer again she disappeared. i started to wander the house to look for her, found alex, told him that we had to leave, because the woman was crazy; at which point he said okay and laid back down on the couch where he was taking a nap. i kept going around the maze of the fortress, and finally i saw the woman coming down the stairs.

"where were you?" i asked her.

"i went upstairs to cry." she said.

"i thought you were supposed to be smarter than this," she added.

pause. pause. let crazy dream moment sink deeper in subconscious. fucking hell.

the next thing that happened was that i was trying to stuff my thick, cozy-socked feet into tremendously high heels. then i woke up, so tired and exhausted. when i looked in the mirror i had frown lines on my forehead that had been etched in during my sleeping hours.

it was a rough morning.

issues? do you think i have issues? do i have to be so fucking obvious in my DREAMS?

and where was robert deniro to stick up for me? better yet, where was jackie o?

i dream, and dream, and dream. . .